Massimiliano Occhetto is a talented street photographer and artist whose work is deeply inspired by the groundbreaking infuences of Man Ray and Marcel Duchamp. Drawing from the avant-garde and innovative approaches of these iconic artists, Massimiliano has forged his own path in the world of photography, infusing his images with a sense of artistic experimentation and creative vision.

Fascinated by the surrealism and conceptual art pioneered by Man Ray and Marcel Duchamp, Massimiliano Occhetto has sought to capture the essence of their revolutionary spirit through his street photography. Embracing unconventional angles, abstract compositions, and unexpected juxtapositions, he injects a sense of artistic depth and intrigue into his work, inviting viewers to contemplate the world through a new lens.

Driven by a passion for art and a desire to share his unique vision with a global audience, Massimiliano embarked on a new adventure by launching his own website to sell artwork around the world. Through this online platform, he seeks to connect with art lovers and enthusiasts from diverse backgrounds, ofering them a glimpse into his captivating images and artistic concepts.

With a keen eye for detail, a love for experimentation, and a dedication to pushing the boundaries of traditional photography, Massimiliano Occhetto continues to inspire and captivate audiences with his evocative street photography. His ability to infuse everyday moments with a touch of surrealism and artistic fair sets him apart as a truly original voice in the contemporary art world.

As he expands his reach and shares his artistry with audiences across the globe, Massimiliano Occhetto remains committed to exploring new horizons, challenging conventions, and pushing the limits of visual storytelling. Through his dynamic images, he invites us to see the world in a new light, encouraging us to embrace the beauty and complexity that surrounds us.

Before us unfolds a series that, through the alchemy of light and shadow, immerses us in an abyss of saturated colors and distorted shapes. This collection, more than a mere set of images, is an act of defiance against the linearity of perception, a testimony of reality altered by the artist’s prism.

Each work, imbued with an almost dreamlike intensity, is a bold exploration of the chromatic spectrum, where vibrant tones and playful light become the undisputed protagonists. The frames presented here are not content with capturing reality; they break it down, reinvent it, saturate it until it becomes something new, in a pictorial territory that borders on the psychedelic, reminding us of the brave color distortion of a James Turrell mixed with the dynamism of an Ernst Haas.

The technical mastery on display is manifest in the expert manipulation of grain and texture, evidencing a preference for the tactile over the transient, an almost sculptural quality in the treatment of subjects and their surroundings. Like Abstract Expressionists such as Kandinsky and his passionate relationship with color, these images exude a feeling that lifts off the canvas to explode before the viewer’s eyes.

The composition of each shot is deliberately chaotic, a dance of elements that intertwine in a choreography of light and darkness. The frame is broken down, rebelling against formality, allowing the spontaneity of the moment to dictate the final form of the work. In this act, the artist becomes a master of ceremonies of a carnival of shadows, where each silhouette, each reflection, is an invitation to delve deeper into the psyche of what is being observed.

At its core, it is a hymn to the subjectivity of sensory experience, a call to question the fidelity of the reality that surrounds us and our own connection to it. It is a tribute to the ability of the work of art to transcend its own nature as a mere record of reality, transforming itself into a vehicle of personal and collective expression, a medium through which the everyday becomes exceptional and the ordinary becomes sublime.

The collection stands as a visual poem to interpreted existence, a labyrinth of reflections and shadows where each step takes us further away from reality and brings us closer to the truth that underlies the artist’s perception, a truth that, although elusive, manifests itself in the color, shape and light of each work.

FLASHES OF THE SUBCONSCIOUS – By Antonio Sánchez. Curator and director of 1819 Art Gallery.